Showing posts with label shock. Show all posts
Showing posts with label shock. Show all posts

Monday, September 28, 2015

No time for loneliness

When my wife was seriously ill some time ago, people from our church contacted me to ask if we needed anything. When I replied that it was nice of people to offer meals but that Teri’s chief problem was simple loneliness — no one to talk to, as she lay in her sickbed, except a very busy husband — people were, not to put too fine a point on it, shocked. I had said something unexpectedly shameful. One person even commiserated with Teri: how difficult it must have been for her to have a husband who so openly admitted that she had personal needs in her illness. (To be sure, there were also deeply sympathetic friends, though not as many as we had expected to find.)

Of course, this whole situation speaks of more than Stoicism: it speaks perhaps most eloquently of a way of middle-class American life so consistently hectic that the one thing you simply cannot ask from other people is their time. But it was nevertheless clear that what we were supposed to do was to say that we were doing just fine and didn’t need a thing, though under considerable pressure we might consent to receiving a meal or two. To admit that illness is worsened by loneliness was several steps beyond the socially acceptable. So says the Stoic Creed, and most of the time what I say in return is: To hell with it.
Alan Jacobs in My Beef with Stoicism

Monday, October 18, 2010

Killing God...


It is curious that people who are filled with horrified indignation whenever a cat kills a sparrow can hear that story of the killing of God told Sunday after Sunday and not experience any shock at all.

Dorothy L. Sayers

Thursday, January 28, 2010

Christian novels


The novelist with Christian concerns will find in modern life distortions which are repugnant to him, and his problem will be to make them appear as distortions to an audience which is used to seeing them as natural; and he may be forced to take ever more violent means to get his vision across to this hostile audience. When you can assume that your audience holds the same beliefs you do, you can relax a little and use more normal ways of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock -- to the hard of hearing you shout, and for the blind you draw large and startling figures.

Flannery O'Connor
Wise Blood